Salvation Army Gets Bell Rung By Brave Survivor

From Creative Freedom to Forced Silence: An Untold Account

Before Your Eyes | Bobby Wizdum

In late September 2024, singer and composer Robert Jeffers, professionally known as Bobby Wizdum, was preparing to release his album Long Way Home. The project explores themes of personal growth, trauma recovery, and enlightenment, but it also tells a story of what happens when an artist attempts to speak about corruption and faces deliberate obstruction.

Days before the album’s release, Wizdum alleges that his ability to share his story publicly was silenced by the Salvation Army, a globally recognized Christian organization. Widely known for its red kettles, thrift stores, and public acts of charity, the Salvation Army’s slogan, “Doing the Most Good,” is familiar to many. However, Wizdum claims the organization engaged in labor exploitation, coercive control, and retaliation against him.

Wizdum’s involvement with the Salvation Army began in November 2022, following an alleged organized attack in York, Pennsylvania, in 2021. He asserts that he was illegally evicted after winning a housing case due to an off-the-books ruling by Judge James H. Morgan, which he claims forced him into the mental health and rehabilitation system despite having no prior history of mental illness or substance abuse.

After releasing the song Declaration in September 2022, which became the foundation of Long Way Home, Wizdum was reportedly hospitalized and transferred into the Salvation Army program. He claims that staff had full prior knowledge of his situation but participated in efforts to suppress his voice. Inside the program, he completed all required labor without missing a day, outperforming paid employees while unmedicated—contradicting claims that he was severely impaired.

Beyond labor, the program allegedly relied on coercive religious indoctrination. Participants were told they were incapable of good without submission to authority and forced to attend mandatory church and group sessions. Nightly readings of extensive institutional rules further reinforced control. Despite a historically low graduation rate, Wizdum completed the program without disciplinary action.

Following graduation, he was hired full-time at the Roxborough Salvation Army thrift store and quickly promoted to Assistant Manager. During his tenure, the store’s annual revenue reportedly increased from $200,000 to $650,000, aided by Wizdum’s merchandising, marketing, and display contributions. Yet, when he began preparing to speak publicly again, he alleges that retaliation resumed.

Lyrical References in Before Your Eyes

Several lines in Before Your Eyes reflect direct experiences and quotes from Wizdum’s time in the program.

  • “Sounds off”—heard at the song’s intro and at the end of verse three—is a response to Ann Polk, an intake coordinator turned counselor, who allegedly spread a rumor questioning Wizdum’s mental health two weeks before he came under full attack. Operations Manager Donald Graham later found the claims baseless.

  • Verse two lines such as “Ain’t performance rather service, cooking wine and Listerine” and “How were you cursing players, going pro when you weren’t even on the court” are aimed at counselor Timothy Polk (no relation to Ann). During intake, participants were repeatedly told their unpaid labor was “service to Jesus, not performance.” Wizdum highlighted the manipulation in his lyrics by pointing out that the phrasing itself made no sense.

  • Timothy Polk allegedly claimed to be an elite college basketball player who was “going pro” but had failed spiritually, cursing other players and telling them to harm themselves. Wizdum disputed these claims, noting that Polk was rarely active on the court.

  • Final lines in the song reference statements by head counselor Joseph M. Murray, including “Emotions come from having an irrational thought process” and “beats his meat at Burger King.” Weekly group sessions based on the novel Every Man’s Battle reportedly became dominated by Murray’s compulsive behavior, which included masturbating multiple times a day when seeing women. These experiences are directly documented in the lyrics.

Throughout 2024, Wizdum continued working independently on Long Way Home, authored a book, created digital content, and prepared a comprehensive marketing plan. The release date—September 25—was chosen to mark the anniversary of Jeanette Briganti’s death, which Wizdum claims was misclassified as a drug overdose. Declaration was named at Briganti’s request.

In the lead-up to the release, Wizdum alleges that his digital accounts were hacked, his workplace became hostile, and he was illegally locked out of his home, losing all personal belongings. He documented these events in real time, recording the singles Sent and Before Your Eyes live along with video evidence. Shortly after releasing the video, he was displaced again and traveled to Washington, D.C., seeking legal assistance from a firm representing a class-action wage violation lawsuit involving the Salvation Army. His outreach reportedly went unanswered.

Rather than silencing him, these experiences became the foundation for the release of Before Your Eyes, an album that documents both his journey and the forces that tried to erase his voice.

For more information and to listen: www.Bobbywizlives.com

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